Ghana Card Digital Wallet & Bank of Ghana Digital Credit Licensing: What Fintechs and Consumers Need to Know in 2025

September 25, 2025

Bank of Ghana is accelerating its transition into a cash-light economy with two major initiatives. The Bank of Ghana (BoG) has published a new Directive for Digital Credit Services Providers and will begin accepting licence applications on November 3, 2025.

According to GhanaRegions.com, at the same time, the National Identification Authority (NIA) is preparing to activate a Ghana Card digital wallet, which will allow citizens to store and spend value directly using their national ID card.

Together, these moves are expected to reshape the financial landscape, increase consumer protection, and boost financial inclusion.

Bank of Ghana’s Digital Credit Licensing Framework

The BoG’s new Directive sets out comprehensive rules for companies that want to offer digital loans and related credit services:

Application Start Date: November 3, 2025 via the Bank of Ghana’s online ORASS portal.
Minimum Capital Requirement: GH¢2 million paid-up capital for applicants, ensuring only well-capitalised and stable companies enter the market.
Licensing & Renewal Fees: Processing, licence and renewal fees apply, payable at application and renewal stages.
Ownership Rules: At least 30% Ghanaian equity is required, and applicants must have a physical principal office in Ghana.
Permitted Activities: Licensed digital credit providers can offer credit services but cannot engage in deposit-taking or other regulated activities without additional licences.
Governance & Technology Standards: Applicants must demonstrate strong corporate governance, secure ICT systems, business continuity planning, fraud detection mechanisms and full compliance with anti-money-laundering (AML) and counter-terrorist-financing (CFT) requirements.

This licensing regime is designed to bring unregulated digital lenders into the formal financial sector, improve transparency, and protect borrowers from predatory practices.

Ghana Card Digital Wallet – The Next Step in Payments

The Ghana Card, already a mandatory biometric ID, is set to gain a powerful new feature: an integrated digital wallet. The NIA has announced plans to activate an e-wallet function that will allow cardholders to:

Load money onto their Ghana Card,
Make payments or transfers directly using the card as authentication,
Enjoy seamless integration with banks and other payment service providers.

Unlike single-bank mobile wallets, the Ghana Card wallet is being designed as a neutral platform that multiple financial institutions can connect to. This could create a universal, low-cost payments system that reaches millions of Ghanaians—including those currently underserved by traditional banks.

What It Means for Key Stakeholders

For Fintechs & Digital Lenders:
Now is the time to prepare your application. Assemble audited financial statements, demonstrate your paid-up capital, develop strong AML/CFT policies, and complete a thorough technology security review. Smaller lenders may consider partnerships or mergers to meet the new thresholds.
For Banks & Payment Service Providers:
The Ghana Card wallet and digital credit licensing framework present an opportunity to integrate with new players, offer APIs, and expand customer reach. Interoperability and tokenization will be critical areas for investment.
For Consumers:
Borrowers can expect clearer pricing, stronger data privacy rules, and recourse mechanisms under the BoG’s oversight. The Ghana Card wallet promises easier, cheaper digital payments and transfers tied to your national ID.

Opportunities and Challenges

While these initiatives promise increased security and inclusion, they also bring challenges. Compliance costs may push out smaller lenders, reducing short-term credit availability. Combining national ID with financial services raises data privacy concerns that will require strong safeguards. And for the Ghana Card wallet to succeed, banks, fintechs and regulators must coordinate to ensure interoperability and consumer trust.

Key Dates and Next Steps

September 2025: Publication of the BoG Directive for Digital Credit Service Providers.
November 3, 2025: Opening of licence applications via ORASS.
2025–2026: Anticipated pilot and rollout of the Ghana Card digital wallet.

Prospective applicants should start preparing now. Consumers should watch for official announcements on when the Ghana Card wallet goes live and how to opt in.

A New Era of Ghana’s Regulated Digital Finance

Ghana’s twin initiatives confirmed by GhanaRegions.com reporter, the licensing of digital credit providers and the launch of the Ghana Card digital wallet signal a new era of regulated, inclusive digital finance. For businesses, this is the time to ensure compliance and explore new partnerships. For consumers, it represents safer credit options and more convenient payments tied to a trusted national ID system.

With careful implementation, Ghana could become a model for secure and inclusive digital finance across Africa.

GTEC suspends processing of accreditation and other requests from UCC over VC’s compulsory retirement dispute

September 25, 2025

GTEC UCC, Ghana Tertiary Education Commission, University of Cape Coast

GETC UCC: The Ghana Tertiary Education Commission has decided that with immediate effect, it will not process any request from the University of Cape Coast (UCC) in respect of accreditation, salaries (government subventions), GETFund support, Book and Research Allowances, Post Retirement Contracts, Financial Clearance for Recruitment and any other related requests.

According to GhanaSky.com source, the commission, until there was full compliance with the directive for the Vice-Chancellor, Prof Johnson Nyarko Boampong, to proceed on compulsory retirement, it will not process any request from UCC.

In a letter dated September 22, 2025, addressed to the Registrar of the UCC referencing an earlier directive dated September 19, 2025, the commission indicated it was compelled to issue the new directive due to the fact that the Governing Council of the University of Cape Coast (UCC) has been restrained by an injunction of the High Court, Cape Coast, since 8th October 2024, from taking any action on Prof. Johnson Nyarko Boampong’s appointment as Vice-Chancellor.

“Accordingly, the Ghana Tertiary Education Commission (GTEC) will, with immediate effect, not process any request from the University of Cape Coast (UCC) in respect of the following until there is full compliance with the directive and evidence of compliance is furnished to the Commission.”

The Vice-Chancellor of the UCC, Professor Johnson Nyarko Boampong, has decided to disregard GTEC’s directive instructing him to proceed on retirement.

Following the confusion at the UCC over Prof. Boampong’s contract extension and developments in relation to his retirement age, GTEC last week directed that the Pro-Vice Chancellor, Prof. Denis Worlanyo Aheto, should step in to act in the interim.

GTEC also requested that the Governing Council of the university postpone the appointment of a substantive Vice-Chancellor until the conclusion of a high court case regarding the retirement age of Prof. Boampong and the contract extension.

The move by GTEC followed information that Prof. Boampong was still in office as Vice-Chancellor of the university post the compulsory retirement age of sixty (60) years, contrary to the provisions of the 1992 Constitution of Ghana.

In the GTEC letter, a copy of which has been seen by Graphic Online and dated September 19, 2025, signed by the Acting Deputy Director-General of GTEC, Prof Augustine Ocloo on behalf of the Director-General, addressed to Prof Boampong and copied to eight other people including the Minister of Education, the Chancellor and the Chairman of the UCC Governing Council, GTEC indicated that Article 199 (1) of the constitution states that, “A public officer shall, except as otherwise provided in this Constitution, retire from the public service on attaining the age of sixty years.”

It stated, “again, the Office of the Vice-Chancellor, being an office established under Section 7(1) of the University of Cape Coast Act, 1992 (PNDCL 278) is a public office under the meaning and intendment of Article 199(1), hence anyone acting in the office of the Vice-Chancellor is presumptively mandated to proceed on compulsory retirement upon attaining 60 years.”

Regarding the tenure of the Vice-Chancellor, it said Statute 8.2 of the University of Cape Coast Statutes 2016 states that: “The Vice-Chancellor shall hold office for an initial term of four years. The appointment may be renewed for a further term of up to three years if that is not beyond the statutory retiring age of 60.”

It went further to indicate that “stemming from the above stated laws, and with the Commission’s regulatory mandate enshrined in section 7 of the Education Regulatory Bodies Act, 2020 (Act 1023), the Pro-Vice Chancellor, Prof. Denis Worlanyo Aheto is to act in the interim.

Prof Nyarko Boampong’s response

Through a letter dated September 19, 2025, written by his lawyers in response to the GTEC directive, Prof Boampong indicated he “would ignore the said letter and continue to act in office as directed by the University Statutes and in accordance with the orders of the court.”

Attached below are details from the letter from Prof Boampong’s lawyer, Dennis Adjei Dwomoh of Law Plus

Re: Stay in Office Post Compulsory Age

We act as solicitors of Professor Johnson Nyarko Boampong (hereinafter referred to as “Our Client”) and we have his firm instructions to write this letter to you.

1. We acknowledge receipt of your letter dated 19th September 2025 and the content therein. Interestingly, the content of your letter is similar to the content of the letter unilaterally written by the former Chairman of the University, Prof. Harold S. Amonoo-Kuofi to purportedly dismiss our client from office via text message.

2. You are duly aware that the basis for your letter also happens to be the facts, which is the subject matter of the action currently pending before the High Court, Cape Coast in Suit No: E12/105/2-24 John Mevemeo vrs University of Cape Coast and Professor Johnson Nyarko Boampong. On the 8th day of October, 2024 the High Court, granted the Injunction prayed and made an order that the University of Cape Coast, its Governing Council, the Chairman
of the Council, their Agents, Assigns, Privies, Workmen, Servants or their Appointors are RESTRAINED AND PROHIBITED from:

(i) discussing or deliberating any matter(s) relating to the REMOVAL of our client as the VICE-CHANCELLOR of the University of Cape Coast.
(ii) taking any decision that will SUSPEND, REVERSE, or SET ASIDE the APPOINTMENT of our client as Vice-Chancellor of the University of Cape Coast.

(iii) interfering with the RENEWAL OF THE APPOINTMENT of our client as the VICE-CHANCELLOR of the University of Cape Coast until the final determination of the suit.

It is important to mention that your institution filed an application in the Supreme Court to quash the order of injunction in CIVIL MOTION NO: J5/7/2025, THE REPUBLIC VS HIGH COURT, CAPE COAST; EX PARTE GHANA TERTIARY EDUCATION COMMISSION (UNIVERSITY OF CAPE COAST and PROF. JOHNSON NYARKO BOAMPONG- Interested Parties). The Supreme Court on the 5th day of February 2025 dismissed your application.

We have attached copies of the ruling of the High Court and the Supreme Court just in case you have not read same and/or don’t have a copy of it although you have been informed of the content therein.

4. Interestingly, you failed to state that the Supreme Court rejected your argument of quoting Article 199(1) and leaving out Article 199(4) which empowers the state to employ or engage a person over sixty years of age, which was inserted per THE CONSTITUTION OF THE REPUBLIC OF GHANA (AMENDMENT) ACT, 1996. To court displeasure for our client, you once again intentionally omitted to mention the rollover policy of the University, which is backed by the University Statutes. All of these arguments being raised
in your letter are the subject matter of the suit before the High Court, Cape Coast.

5. On the 27th day of August 2025, we wrote to the members of the new council of the University and placed you in copy. In the said letter we gave a detailed background of the instant action and the orders made therein.

6. It is therefore surprising that you have written a letter taking a decision that has SUSPENDED the APPOINTMENT of our client as Vice-Chancellor of the University. Apart from disrespecting the court orders, your actions also amount to side-stepping the Statutes of the University, and usurpation of the powers of the bodies of the University, and interference with the academic independence of the University.

7. Consequently, we have the directions of our client and, as officers of the court, respectfully demand you withdraw your letter dated 19th September 2025 and respect the orders of the court, failing which we have the firm
instructions of our client to take the necessary steps to uphold the sanctity of the court. In the meantime, our Client would ignore the said letter and continue to act in office as directed by the University Statutes and in accordance with the orders of the court.
Yours Sincerely,

Lil Win & Regional Minister Frank Amoakohene Join Odehyieba Priscilla at Altar of Worship 2025 (Video)

September 23, 2025

KUMASI, Ashanti Region, witnessed a powerful evening of praise and worship titled Altar of Worship: Fire & Glory on Sunday, 21st September 2025

According to Odehyieba.com, the event was hosted by young gospel artiste and worship leader Odehyieba Priscilla, the event drew believers from across the region and beyond, united in worship and spiritual renewal.

The venue was the Prempeh Assembly Hall in Kumasi, beginning at 3 PM. What promised to be an ordinary gospel concert became an extraordinary spiritual encounter.

The Vision and Purpose

Odehyieba Priscilla’s Altar of Worship was more than just music and performance, it was a deliberate move to usher attendees into the presence of God, to ignite faith, restore hope, and encourage believers in the midst of spiritual dry seasons. The theme “Fire & Glory” emphasizes both the consuming power of God’s holiness (fire) and His manifest presence (glory).

Importantly, the event was free of charge, entry was free, demonstrating an inclusive spirit, inviting all who desired transformative worship.

Lineup & Artists

A highlight of the evening was the stellar cast of gospel ministers that joined Odehyieba Priscilla: Joyce Blessing, Kwaku Gyasi, Broda Sammy, Sandy Asare, Oware Junior, Jojo Arhin, Mabel Okyere And of course, the host herself, Odehyieba Priscilla.

Each artist brought their unique style and gift, blending energetic praise songs, soul-filled ballads, and fervent declarations of faith. The variety held strong appeal across age groups, musical tastes, and levels of spiritual maturity.

Special Guests Add a Royal Touch

Beyond the powerful music, the event was graced by notable personalities whose presence gave the night a truly royal and dignified atmosphere.

Popular Kumawood actor and musician Lil Win attended the programme, drawing cheers from the youthful crowd. His presence symbolized the unifying power of gospel worship across entertainment circles.

Also in attendance was Hon. Frank Amoakohene, Ashanti Regional Minister, whose participation brought governmental support and respect to the gathering. Their presence underscored the event’s significance, bridging faith, governance, and culture to create a memorable experience for attendees.

@ghanaregions Odehyieba Priscilla, Lilwin, Hon. Frank Amoakohene. #foryou #GhanaRegions #odehyiebapriscillaministry ♬ original sound – Ghana Regions

Moment-by-Moment Highlights

Here are some key moments and impressions from the evening:

Worship Atmosphere
From the first notes, the atmosphere was thick with anticipation. Praise choruses, uplifting songs, and spontaneous worship marked the opening segments. Many attendees were visibly moved, prayer, tears, and personal encounters with God featured heavily.
Ministrations
As each guest artist took the stage, the flow shifted between high-energy praise and intimate worship. Odehyieba Priscilla’s moments, both as host and worshipper—were particularly poignant; she led the congregation deeper into worship.
Testimonies & Spiritual Impacts
Several attendees later shared testimonies of healing, inner peace, and renewed faith. Some described the event as a “turning point” in their spiritual walk. The presence of the Holy Spirit was a recurring theme in feedback.
Community & Unity
The event emphasized community, believers from different churches, backgrounds, and ages worshipped together. The unity of voices, touching stories, and collective gratitude marked a shared spiritual experience.

Odehyieba Priscilla: A Rising Light

Though still young, Priscilla has already made waves in Ghana’s gospel scene.

She started singing in church at a very young age.
She draws inspiration from established gospel greats like Obaapa Christy and Piesie Esther.
Her previous events and releases have displayed her commitment to worship, authenticity, and spiritual depth.

Her leadership of Altar of Worship: Fire & Glory thus seems a natural extension of her calling, to facilitate worship that transforms.

Organization & Logistics

Date & Time: 21st September 2025, 3 PM onwards.
Venue: Prempeh Assembly Hall, Kumasi. Known for its capacity and acoustics suitable for large gospel events.
Admission: Free entry.
Sponsors & Partners: Several local partners and sponsors came on board to support the event, enabling sound, staging, lighting and other logistics. While specific names weren’t all published, the collaboration helped draw a large crowd.

Impact & Reception

The reception was overwhelmingly positive. Some observations:

Social media buzzed with praise—videos, photos, and testimonies circulated widely. Many shared how the worship elevated their spirits.
Attendees commented on the quality of sound, the selection of songs, transitions between artists, and overall flow.
The youth especially seemed deeply impacted; many said the event renewed their hunger for deeper worship and spiritual growth.

Challenges & Lessons

No large event is without challenges. From available reports, some areas for improvement might include:

Crowd Management: With free entry and many attendees, ensuring orderly entry, security, and seating can be demanding.
Timekeeping: Multiple artists sharing the stage means tight schedules. Ensuring each artist’s set doesn’t overrun helps maintain momentum.
Post-Event Follow-up: For spiritual impact to last, follow-up through local churches, small groups, or online engagement is important.

These are not unique to this event, but lessons for future ones.

Altar of Worship: Fire & Glory was more than a concert; it was a spiritual gathering that sought to bring heaven’s presence into hearts and lives.

For Odehyieba Priscilla, it was a pivotal moment of leadership, worship, and spiritual influence. For attendees, a time of divine encounter, revival, and renewed faith. Kumasi has been blessed with another worship experience that is likely to leave lasting fruit.

The success of this event signals promising things ahead, not just in terms of Priscilla’s ministry, but for the wider gospel community in Ghana who hunger for worship that is sincere, powerful, and life-transforming.

Source: Odehyieba.com

Sammy Gyamfi Refutes Claims That GoldBod Promotes Galamsey – A Detailed, Evidence-Based Response

September 20, 2025

In the face of growing public debate over illegal mining (“galamsey”) and the role of Ghana’s new statutory body, the Ghana Gold Board (GoldBod), Chief Executive Officer Sammy Gyamfi has forcefully rejected accusations that the institution is promoting or buying gold from illegal miners.

Speaking to the media and on broadcast platforms this week, Gyamfi described the claims as “false and misleading,” and set out legal, operational and technical reasons why GoldBod cannot and does not incentivize galamsey.

The claim, in brief

Critics and some opinion pieces have charged that GoldBod created to centralize purchase, assay and export of artisanal gold is effectively providing a market for illegally mined gold, thus encouraging environmental destruction and unlawful activity.

Those critics point to market access and recent spikes in recorded gold purchases as proof that GoldBod somehow legitimizes or enables galamsey.

Gyamfi’s rebuttal: three pillars of his defense

1. Temporal logic — GoldBod is new; galamsey is decades-old

Gyamfi repeatedly stressed that the galamsey problem long predates GoldBod. He argued it is illogical to pin decades of entrenched illegal mining practices on a statutory body that was established only months earlier. He asked rhetorically how a five-month-old institution could be responsible for an age-old crisis, underscoring that blame should be aimed at the broader governance, enforcement and socio-economic failures that created galamsey over time.

2. Legal mandate and rules of engagement

Under the GoldBod Act, the Board’s mandate is to purchase gold from licensed artisanal and small-scale miners (ASM), provide traceability, and support formalization of the sector — not to buy from unlicensed operators. Gyamfi pointed to specific provisions of the Act that frame GoldBod’s role as a regulated market actor and an instrument of traceability and environmental stewardship, arguing these make it procedurally impossible for GoldBod to lawfully procure unverified galamsey gold.

3. Operational safeguards and traceability

Gyamfi described the practical controls GoldBod uses: assay and grading procedures, documentation requirements, and plans for digital traceability from mine to market. He insisted GoldBod is not using galamsey gold in operations and that purchases are tied to verification processes that exclude unlicensed production. He also noted that GoldBod has engaged with miners’ cooperatives, regulators and security agencies to strengthen compliance checks.

Where the debate escalated: political comments and public reaction

The controversy intensified after remarks made during a presidential media encounter, where comments were interpreted by some as suggesting the state might prefer local capture of gold (even if sourced informally) rather than letting foreigners profit from smuggling. That remark was seized upon by critics who argue that any government demand for locally retained gold risks signaling tolerance of illicit sourcing. Gyamfi and other officials have since moved to clarify that policy objectives (retaining value within the economy) do not equate to condoning illegal extraction, and that enforcement remains a priority.

Evidence and data cited by Gyamfi

Beyond legal and procedural arguments, Gyamfi pointed to early signs of environmental progress and monitoring data, for example, improvements in turbidity metrics on some key rivers to argue that coordinated anti-galamsey work is yielding localized results and that GoldBod’s role is complementary to enforcement and remediation efforts. He used this to bolster the claim that the government’s integrated approach (GoldBod + security + community engagement) is working and not enabling illegal mining.

Independent perspectives and unanswered questions

Many observers welcome GoldBod’s formalization goals, limiting smuggling, improving assay transparency, and capturing foreign exchange but remain skeptical until three conditions are demonstrably met:

Transparent procurement records: Regular, publicly accessible reports showing buyer identity, mine/source registration and assay results (so civil society can audit whether purchases are from licensed ASM).
Clear enforcement outcomes: Evidence that security and regulatory agencies are investigating and prosecuting persons and groups who operate outside licensing frameworks, including high-profile cases when warranted.
Community and livelihoods integration: Measurable support for ASM operators to formalize (e.g., licensing assistance, access to finance and safer, environmentally compliant techniques) so formalization is not simply punitive.

Experts caution that without visible transparency and consistent enforcement, perception — whether or not it matches reality — will shape whether GoldBod becomes trusted or vilified.

How GoldBod can strengthen credibility (practical steps)

Based on the points Gyamfi raised and the gaps critics highlight, the following actions would narrow the credibility gap quickly:

Publish weekly purchase ledgers showing origin (licensed mine ID), volume, assay grades and buyer/exporter details.
Open-data audit portal that allows NGOs and journalists to cross-check shipments and assay certificates.
Joint operations reports with Minerals Commission and Ghana Police explicitly listing anti-galamsey arrests, prosecutions and penalties tied to trade data.
Independent third-party verification — invite reputable international bodies to spot-check GoldBod procurement chains and attest to compliance.
Formalization accelerators offering fast-track licensing, technical training, and incentive packages for miners who register and comply.

These steps would make it harder for critics to claim GoldBod is promoting galamsey and would convert Gyamfi’s words into verifiable outcomes.

rhetoric vs. reform – why both matter

Sammy Gyamfi’s public refutation addresses the immediate reputational problem: GoldBod does not, in his account, buy galamsey gold nor does it promote illegal mining.

He anchored his rebuttal in the institution’s legal remit, operational safeguards, and the simple fact of timing, that GoldBod is newly created while galamsey is a long-standing problem.

But the controversy underscores a larger truth: rhetoric alone will not settle public trust. For GoldBod to move from contested to credible, the Board must match Gyamfi’s denials with transparent procurement data, visible enforcement partnerships, and rapid, demonstrable support for ASM formalization.

If it does, the institution can play a central role in reducing smuggling, restoring environmental health, and increasing the value that Ghana retains from its gold and critics will have far less grounds for alarm.

Odehyieba Priscilla Biography: Age, Early life, Family, Education, Musical Career etc.

September 18, 2025

Odehyieba Priscilla on Odehyieba.com

Odehyieba Priscilla is widely described in local press as a young worship sensation, celebrated for emotive live ministrations, long-form prayer sessions, and the capacity to draw crowds as a teen worship leader.

Senior gospel artistes and industry figures have shared public encouragement for her. That said, her high visibility also means media scrutiny and strong reactions from fans and critics alike.

Quick Facts About Odehyieba Priscilla

Full name: Odehyieba Priscilla Agyemang
Born on: 14 August 2006 (Wassa Afransie, Western Region, Ghana)
Roles: worship leader, gospel singer, songwriter, recording artist and ministry leader.

Early life & musical beginnings

Priscilla grew up in Wassa Afransie (Western Region) and entered public view as a child gospel singer. She recorded her first material while still very young and spent much of her childhood performing at church events and regional programs, quickly building a reputation as a powerful young worship leader. By her early teens she had recorded multiple Twi-language worship tracks and live worship sessions that helped grow her following online and at live events.

Career highlights & recorded work

First album / early releases: She has recorded Ghanaian Twi albums and multiple live worship recordings; media profiles note an early album titled Monkae Atemuda (first publicly noted recordings around 2017) and several live worship singles and medleys released online.

Performance presence: Priscilla is active on YouTube and SoundCloud where long-form live worship sessions and prayer sets are frequently posted; these live recordings form a large part of her repertoire and fan engagement.

Awards/recognition: Press profiles reference early local awards and notable recognition in Ghanaian gospel music circuits while she was still a teenager.

Public image, ministry & social media

Odehyieba Priscilla runs an active ministry presence online, posting worship sessions, ministry events, and personal updates. She maintains official accounts (Instagram, YouTube, Facebook) used for bookings, event announcements and connecting with fans. Her ministry is known for extended live worship sets and prayer sessions that attract churchgoers and online worshippers.

Notable public developments / controversies (neutral summary)

Like many public figures, Priscilla’s life and career have at times been the subject of social-media attention beyond music, including viral videos and public conversations about her private life. She has addressed some matters publicly in interviews and social posts; coverage has occasionally been sensational in tone.

Education & life outside music

Priscilla completed secondary education at St. Louis Senior High School (Kumasi) and has been preparing for higher education while continuing her ministry activities. Reports indicate she transitioned from SHS life into tertiary studies in early 2025.

Latest updates (most recent public developments)

New music (April 2025): Her SoundCloud artist page lists a track titled “Gyatabruwa” published on 10 April 2025, along with several live-recorded worship releases in late 2024. This April 2025 release is the newest dated musical item available on her public streaming page.

University admission (January 2025): Ghanaian entertainment outlets reported that Priscilla gained admission to Kwame Nkrumah University of Science & Technology (KNUST) to study Business Administration, and videos surfaced showing her in lecture halls and KNUST student uniform in January 2025. That move signals she’s balancing tertiary studies with her ongoing music/ministry work.

(Taken together: as of April 2025 she is both a university student at KNUST and an actively recording/releasing gospel artist.)

Selected discography & notable uploads (sampling)

Monkae Atemuda (early album; reported first album around 2017)
Live worship sessions / medleys on YouTube (multiple uploads, often long-form prayer & worship sessions)
“Gyatabruwa” — SoundCloud single, published 10 Apr 2025

Gospel Star Piesie Esther Drops “Nyame Ye” After Securing Six GH Awards 2025 Nominations

August 20, 2025

Nyame Ye (God is Good) by Piesie Esther, Nyame Ye by Piesie Esther, produced by Kuami Eugene, Skyweb Videos

The GH Awards 2025 (Ghana General Awards) are shaping up to be a milestone moment for gospel music, with Piesie Esther receiving six major nominations.

According to DebrichGroup.com reporters, these nominations honor her artistry, influence, and consistent contribution to the gospel industry. Her recognition spans across both vocal excellence and songwriting prowess, making her one of the most celebrated nominees this year.

Piesie Esther six categories include:

Gospel Song of the Year (Ateene)
Gospel Artist of the Year
Female Vocalist of the Year
Best Music Video of the Year
Most Popular Song of the Year
Songwriter of the Year

These nominations highlight the lasting impact of her earlier works, particularly her worship anthem Waye Me Yie, which continues to resonate across churches, events, and music charts in Ghana.

A New Chapter: The Release of “Nyame Ye”

Even as she basks in the glory of her GH Awards 2025 nominations, Piesie Esther is opening a new musical chapter with the release of “Nyame Ye.” The title translates to “God is Good”, a message that perfectly aligns with her testimony driven ministry.

The song is produced by Kuami Eugene, whose touch blends modern soundscapes with rich gospel depth, giving “Nyame Ye” both a contemporary feel and a timeless worship atmosphere. The accompanying visuals, directed by Skyweb Videos, capture the power of the song through breathtaking imagery that complements its message of gratitude and praise.

Click Here To Watch Nyame Ye (God is Good) by Piesie Esther

The Power of “Nyame Ye” Song’s Message

“Nyame Ye” is more than just a gospel release; it is a declaration of faith and thanksgiving. Through her commanding vocals, Piesie Esther emphasizes the unchanging goodness of God a message designed to uplift, inspire, and bring hope to listeners.

Her ability to connect deeply with audiences has made her a household name in Ghanaian gospel music, and with this release, she continues her mission of using music as a ministry tool to impact lives spiritually and emotionally.

Piesie Esther’s Impact on Ghana Gospel Music

Over the years, Piesie Esther has become one of the most consistent and powerful voices in the gospel industry. From Waye Me Yie to Ateene, her songs often serve as worship anthems for believers across Ghana and beyond.

Her GH Awards 2025 nominations reinforce her role as not just a singer, but also a minister of the gospel through music, with recognition in categories like Songwriter of the Year and Female Vocalist of the Year further cementing her legacy.

Looking Ahead

With “Nyame Ye” now released, Piesie Esther is set to enter yet another defining chapter in her career. While the GH Awards 2025 will celebrate her past and present achievements, the release of her new anthem positions her for even greater recognition in the future.

Whether she secures one award or sweeps all six categories, one thing is clear: Piesie Esther’s music continues to inspire, uplift, and point listeners to the goodness of God.

President Mahama Grants Amnesty to 998 Prisoners – Is Nana Agradaa & Ato Essien on the List?

August 20, 2025

President John Dramani Mahama, President Mahama grants amnesty, Mahama grants amnesty to 998 prisoners, Nana Agradaa

Ghana’s prison system witnessed a massive shake-up as President John Mahama approved amnesty for nearly 1,000 inmates. The announcement sparked widespread discussions, particularly around notable figures like Nana Agradaa and Ato Essien, whose inclusion or exclusion has become a trending topic online.

However, the spotlight quickly shifted to high-profile convicts such as Nana Agradaa and Ato Essien, with many eager to know whether their names appeared among the beneficiaries.

Who Are Included:

33 seriously ill inmates
36 inmates aged 70 years and above
2 nursing mothers
87 inmates on death row—their sentences were commuted to life imprisonment
51 inmates serving life sentences—their sentences were reduced to a fixed 20-year term
787 first-time offenders who are being released

Additionally, two unnamed prisoners who had submitted petitions for pardon were included, though their identities were not disclosed in the presidential statement.

The amnesty was positioned as a humanitarian gesture, aimed at alleviating prison overcrowding while offering constitutional mercy.

Nana Agradaa’s Status: Was She Included?

No, Nana Agradaa (Patricia Asiedu Asiamah) was not among the beneficiaries. As she has served less than six months of her 15-year sentence, she was deemed ineligible for this round of amnesty.

Likewise, William Ato Essien, the former CEO of Capital Bank who had petitioned for a pardon on health grounds, was also excluded. He is currently on medical bail pending his appeal.

Additional Context

Confusion initially arose on social media about whether Nana Agradaa might benefit from the presidential pardon. Discussions also extended to why certain high-profile figures, including Agradaa and Ato Essien, were not covered under the amnesty despite the broad range of beneficiaries.

Key Point	Details
Date of announcement	August 18, 2025
Total granted amnesty	998 inmates
Inclusion Criteria	Seriously ill prisoners, elderly (70+), nursing mothers, death row convicts, life sentence inmates, first-time offenders, and two anonymous petitioners
Nana Agradaa	Not included — insufficient time served
Ato Essien	Not included — currently on medical bail, under appeal
Purpose	Humanitarian relief, decongestion, mercy under constitutional provisions

President Mahama’s amnesty reflects a balance between justice and compassion. While it covers a broad range of humanitarian cases, high-profile individuals like Nana Agradaa and Ato Essien were notably excluded, underscoring that eligibility adhered strictly to predefined criteria primarily length of service, health status, and petitioning rather than case notoriety.

Ibrahim Traoré “The Lion of Burkina Faso” – GH Awards 2025 Nominations (Watch Video)

August 19, 2025

The Lion of Burkina Faso, Ibrahim Traoré, Akil Media, Where Is Josephine

Ibrahim Traoré: The powerhouse YouTube channel Africa Kids In Love and production company Akil Media are celebrating huge milestones this year from record breaking views for Twisted Heart to the highly anticipated release of their new political drama The Lion of Burkina Faso (Ibrahim Traoré).

Adding to the excitement, several cast and crew members have earned prestigious nominations at the GH AWARDS 2025 (Ghana General Awards), proving that their creative impact is resonating nationwide.

Twisted Heart Still Trending With 1.7 Million views

After captivating audiences, which has now surpassed 1.7 Million YouTube views, Twisted Heart returns with a thrilling that picks up the inspirational, emotional and suspense-filled journey.

New Release: The Lion of Burkina Faso

Story by: Gyan Williams (Akil Media)
Starring: Frederick Agyemang as Ibrahim Traoré

Hot on the heels of Twisted Heart, Akil Media presents a bold, politically charged drama inspired by real-life events.

The Lion of Burkina Faso tells the inspiring story of Ibrahim Traoré, a humble young man from a struggling village who trades a promising future in science for a life in the military. His mission? To protect his people and fight corruption that has drained Burkina Faso’s resources for decades.

From battling terrorism with limited resources to challenging foreign interference, Traoré’s journey is one of bravery, sacrifice, and unyielding leadership.

Frederick Agyemang’s powerful portrayal captures both the humanity and the unbreakable will of a man determined to see his country free.

In a tense fictional climax, the world stands on the brink of war when France, Russia, and China face off over Burkina Faso’s independence. The UN intervenes, and the standoff ends marking a symbolic victory for Africa’s self-determination.

GH AWARDS 2025 – Nominations & Recognition

The talent behind these productions is making waves, earning top nominations at the Ghana General Awards 2025:

Josephine Manu – Best Actress of the Year
Gyan Williams – Best Director of the Year (Twisted Heart & The Lion of Burkina Faso)
Elishaba Oforiwaa Sam – Best Actress of the Year
Frederick Agyemang – Best Actor of the Year

These nominations celebrate not only individual excellence but also the collaborative power of storytelling that Akil Media and Africa Kids In Love bring to the screen.

Where to Watch & How to Support

Both Twisted Heart and The Lion of Burkina Faso are available on the Africa Kids In Love YouTube channel. By watching, subscribing, sharing, and engaging with the content, viewers can help push these productions to even greater heights and support their journey at the GH AWARDS 2025.

Watch now: Africa Kids In Love YouTube Channel.

Vote: Support your favorite nominees at the GH AWARDS 2025 with your votes.

From heartfelt mysteries to bold political thrillers, Africa Kids In Love and Akil Media are proving that Ghanaian film has the power to inspire, entertain, and challenge audiences. With multiple GH AWARDS 2025 nominations and unforgettable productions streaming now, this is the moment to join the movement.

Akosua Jollof & Fante Comedy Profile – Arrested for Comments on Ghana’s Helicopter Crash Victims

August 13, 2025

Akosua Jollof, Fante Comedy, Ghana helicopter crash arrest

Two Ghanaian TikTok figures, Fante Comedy and Akosua Jollof, are in police custody after a livestream about the fatal military helicopter crash sparked outrage for its mocking tone and alleged threats toward national leaders.

Biography Of Akosua Jollof

Akosua Jollof also known as Yayra Abiwu, became a digital darling, known for her lively Fante driven comedic shorts and aesthetic storytelling.

However, she made headlines for a darker reason after livestreaming a military helicopter crash that turned fatal, causing her detainment by Ghana’s police.

According to DebrichGroup.com, her arrest and the content she chose to film has raised critical questions about the ethics of social media content creation during real-time tragedy.

Personal Life

Limited public information exists regarding her personal or educational background. She maintains a private presence off-camera, focusing her public persona entirely on her creative output.

Real Name: Yayra Abiwu
Popular Name: Akosua Jollof
Profession: Social media personality and frequent TikTok live contributor.

Akosua Jollof is a Ghanaian TikTok user recognized for participating in viral online discussions, often centered on politics and social issues. Her style is candid and unapologetic, which has sometimes led to disputes and online backlash.

Biography Of Fante Comedy

Real Name: Prince Ofori
Popular Name: Fante Comedy
Profession: TikToker, online commentator, and satirical content creator
Platform: Primarily active on TikTok with live sessions and humorous commentary on trending issues.

Fante Comedy is a Ghanaian TikTok personality known for his comedic takes on politics, social life, and entertainment. His style blends satirical commentary with spontaneous audience engagement, often through live sessions that invite viewers to speak freely on trending national matters. While this approach has earned him a following, it has also courted controversy for the unfiltered nature of his content.

Rise to Fame

Akosua Jollof attracted attention on TikTok with vibrant comedy sketches blending everyday Ghanaian experiences, Fante-language humor, and cultural commentary. Her engaging style and quick wit earned her a dedicated following and widespread recognition among Ghana’s social media users.

Style & Persona

Her content featured a mix of linguistic punchlines, relatable scenarios, and cultural nuances that resonated across genders and age groups. She became known for her energetic delivery and ability to tackle social themes with levity turning everyday frustrations and joys into comedic art.

The Helicopter Crash Controversy

On 6 August 2025, Ghana was plunged into mourning after a Ghana Air Force Z-9 helicopter crashed near Obuasi in the Ashanti Region, killing all eight on board, including two government ministers. The tragedy gripped the nation, with calls for dignity and respect in public discourse.

Shortly after, Fante Comedy hosted a TikTok live session discussing the crash. The livestream, which quickly went viral, included multiple participants-among them Akosua Jollof—who mocked the victims and made inflammatory remarks. Disturbingly, some speakers in the live wished that Sammy Gyamfi and former President John Mahama had died in the crash. Others allegedly made threats against national leaders, including the First Lady.

Police Response and Arrests

On 12 August 2025, the Ghana Police Service issued a statement confirming the arrest of:

Prince Ofori (Fante Comedy)

Yayra Abiwu (Akosua Jollof)

Both were taken into custody for questioning over their involvement in the live session and the threats made therein. The police confirmed that additional individuals connected to the video are on the run, with a manhunt underway to apprehend them.

The statement read in part:

“The Ghana Police Service has commenced investigations into a viral TikTok video in which an individual is heard threatening the lives of the President of the Republic, H.E. John Dramani Mahama, and the First Lady.”

The incident has raised significant concerns about the misuse of social media platforms for inflammatory or threatening speech, particularly in the wake of a national tragedy.
Public Reaction

Condemnation: Many Ghanaians have condemned the comments made during the livestream as disrespectful and dangerous, especially so soon after the helicopter crash.

Free Speech Debate: Others have argued that while the remarks were in poor taste, arrests for online speech must be balanced with constitutional protections for expression.

Political Sensitivity: Given the high-profile nature of the targets former President Mahama, the First Lady, and ruling party figures the livestream has been framed as politically charged.

Aspect	Details Summary By DebrichGroup.com
Incident Date	6 August 2025 (helicopter crash), livestream followed
Crash Victims	8 dead, including Defence and Environment Ministers
TikTok Host	Fante Comedy (Prince Ofori)
Key Participant	Akosua Jollof (Yayra Abiwu)
Nature of Content	Mocking crash victims, wishing harm to political figures, alleged threats
Arrest Date	12 August 2025
Charges	Investigation for threats, incitement, and related offences
Others Involved	Additional suspects on the run
Police Status	Ongoing investigation and manhunt