Ama Endorsed was born on February 17, 1996, in Dzodze, Volta Region, she spent most of her life in Accra, where she built a legacy rooted in resilience, creativity, and empowerment.
Comfort Esime Adzigbli, affectionately known as Ama Endorsed or “The Lady Carpenter,” was a pioneering Ghanaian entrepreneur, carpenter, and social media influencer who shattered gender norms and inspired a generation of young women to pursue their dreams fearlessly.
Early Life and Education
Ama was the eldest child in her family and developed an early interest in carpentry by assisting her father, who was a carpenter.
She attended Aburi Presbyterian Senior High Technical School in the Eastern Region, where she completed her secondary education.
Career and Entrepreneurship
Ama’s journey into entrepreneurship began with her passion for carpentry, a skill she honed under her father’s guidance.
In 2016, she founded Namas Decor, an interior design firm specializing in custom furniture. She later expanded her business portfolio by establishing Namas Autos, focusing on car interior reupholstery and vehicle sales.
Her unique blend of craftsmanship and business acumen earned her the nickname “The Lady Carpenter.” Ama’s work not only showcased her talent but also challenged societal norms, proving that women could excel in male-dominated industries.
Social Media Influence
With over 328,000 followers on Instagram, Ama utilized her platform to share her work, inspire others, and advocate for women’s empowerment. Her authenticity and dedication resonated with many, making her a beloved figure in Ghana’s creative and entrepreneurial spaces.
Legacy and Impact
Ama’s untimely passing on April 17, 2025, at the age of 29, sent shockwaves through Ghana and beyond.
Her death, following a brief illness, was confirmed by her family, who requested privacy during their time of mourning.
Tributes poured in from celebrities, fans, and fellow entrepreneurs, all mourning the loss of a trailblazer who redefined what it meant to be a woman in business.
Ama Endorsed funeral was held on May 24, 2025, at St. Francis of Assisi Catholic Church in Ashaley Botwe, followed by her burial in her hometown of Dzodze.
Ama Endorsed’s life was a testament to courage, innovation, and the power of breaking barriers. Her legacy continues to inspire countless individuals to pursue their passions and challenge the status quo.
Ghanaian entrepreneur, Nana Appiah Mensah, widely known as NAM1, is the founder of Menzgold Ghana Limited, a gold dealership firm that ceased operations in 2018 following regulatory actions.
Professional Background
NAM1 received his secondary education at Adisadel College in Cape Coast and pursued further studies at the University of Ghana, Legon. In 2016, he established Zylofon Media, a multimedia company that signed prominent Ghanaian artists such as Shatta Wale, Stonebwoy, and Becca. Zylofon Media also ventured into the film industry, signing actors like Benedicta Gafah and Toosweet Annan. However, the company was eventually shut down by the Ghana Securities and Exchange Commission.
NAM1’s business ventures earned him several accolades, including the Special Recognition Award for Business Innovation at the Exclusive Men of the Year Africa Awards in 2017 and being listed among the 100 Most Influential Young Persons in Africa by the Confederation of West African Youth in July 2018.
Legal Challenges and Current Case Status
In September 2018, the Ghana Securities and Exchange Commission shut down Menzgold Ghana Limited for operating without the necessary licenses.Subsequently, in January 2019, the Economic and Organized Crime Office (EOCO) of Ghana secured a court order to freeze all assets belonging to NAM1.
In August 2023, the Attorney General’s office filed 39 new charges against NAM1, including money laundering, defrauding by false pretenses, selling gold without a license, and operating a deposit-taking business without a license.The prosecution alleges that between 2017 and 2018, NAM1 and his companies took a total sum of GH¢1,680,920,000 from customers, which remains unpaid.
On September 20, 2023, NAM1 was granted bail of GH¢500 million with four sureties.As part of the bail conditions, he was required to surrender his passport and report to the Criminal Investigations Department of the Ghana Police Service every Thursday.
In October 2023, NAM1 handed over GH¢5 million to the Ghana Police Service to be distributed to customers of the collapsed firm.Of this amount, GH¢2.5 million was for the settlement of a compromised judgment debt, while the remaining GH¢2.5 million was intended for over one hundred individuals.
As of December 2024, NAM1 appealed to the court for more time to engage new legal representation, citing fundamental differences with his previous lawyer.The High Court had earlier dismissed his request for a stay of proceedings and ordered him to open his defense.
The case remains ongoing, with the court proceedings adjourned to allow NAM1’s legal team to review the new charges filed against him.
In a gripping finale to the 2025 U-20 Africa Cup of Nations third-place playoff, the Flying Eagles of Nigeria triumphed over Egypt’s Young Pharaohs in a nerve-racking penalty shootout, winning 4-1 after a 1-1 stalemate in regulation time.
Both teams entered the match with wounded pride, having narrowly missed out on the final, but the battle for bronze proved no less intense. Inside a pulsating Stade de la Paix in Bouaké, the two youth powerhouses put on a show of grit, skill, and raw ambition—reminding the continent why they remain among Africa’s most storied footballing nations.
⚽ First-Half Fireworks
It was Egypt who struck first, with a well-taken goal in the 17th minute. The Young Pharaohs capitalized on a defensive slip by Nigeria, with forward Mostafa Adel slotting home coolly past goalkeeper Chijioke Aniagboso. But the Flying Eagles responded with characteristic verve. Their equalizer came shortly before halftime through Daniel Daga, who rose highest to meet a curling corner and thundered a header into the net.
🛡️ Tension and Tactical Chess
The second half was a cagey affair, with both sides probing cautiously, wary of making costly mistakes. Nigeria controlled possession, with the midfield duo of Tochukwu Nnadi and Ibrahim Muhammad dictating tempo, but Egypt’s backline held firm. When the final whistle blew at 1-1, the match headed straight to penalties.
🎯 Penalty Perfection
In the shootout, Nigeria showed remarkable composure. Goalkeeper Aniagboso turned hero, saving two of Egypt’s spot-kicks. Meanwhile, all four Nigerian takers—Daga, Nnadi, Musa Ibrahim, and captain Solomon Agbalaka—converted with icy precision. Egypt managed only one successful attempt before the decisive miss sealed their fate.
🏆 Pride Restored
The victory handed Nigeria the bronze medal—an honorable finish and a testament to their resilience and character after the heartbreak of a semi-final exit. More than just a consolation, this triumph reinforces the Flying Eagles’ reputation as a breeding ground for future Super Eagles stars.
Head coach Ladan Bosso praised his team’s mentality: “We came here with the ambition to win the title, but I’m proud of how the boys responded. To finish on the podium and show this level of courage speaks volumes about their future.”
For Egypt, the tournament ends in frustration, but their young talents can hold their heads high after a spirited campaign.
As the curtain falls on the 2025 U-20 AFCON, Africa’s future football stars have reminded us all that the road to greatness is forged not only in glory, but also in grit—and today, Nigeria proved they have plenty of both.
Key Stats & Player Profile
🇳🇬 Nigeria 1 (4) – (1) 1 Egypt 🏆 2025 U-20 Africa Cup of Nations – Third Place Match 📍 Stade de la Paix, Bouaké 📅 May 17, 2025
⚽ Goals: 🇪🇬 Mostafa Adel (17’) 🇳🇬 Daniel Daga (41’)
🎯 Penalties: ✅ Nigeria: Daga ✅, Nnadi ✅, Ibrahim ✅, Agbalaka ✅ ❌ Egypt: 1 scored, 2 saved by Aniagboso, 1 missed
🔑 Match Highlights:
⛔ Chijioke Aniagboso (Nigeria GK): 2 penalty saves – man of the moment
🧠 Daniel Daga (Nigeria CM): 1 goal, 1 penalty scored – a complete midfield performance
🧱 Solomon Agbalaka (Nigeria Captain): Leadership on the pitch, sealed the shootout
📊 Match Stats:
Possession: 🇳🇬 56% – 🇪🇬 44%
Shots on Target: 🇳🇬 6 – 🇪🇬 4
Corners: 🇳🇬 5 – 🇪🇬 3
Fouls: 🇳🇬 12 – 🇪🇬 10
Yellow Cards: 🇳🇬 1 – 🇪🇬 2
📱 2. Social Media Recap (Instagram/Twitter/X Thread)
🇳🇬⚽ FLYING EAGLES FLY TO BRONZE! Nigeria U20 🆚 Egypt U20 Final Score: 1-1 (4-1 pens)
🟢 Nigeria held their nerve in a dramatic shootout to claim 3rd place at #U20AFCON2025!
📸 Daniel Daga = equalizer + 1st penalty 🧤 Aniagboso = 2 crucial saves 🔥 4 perfect pens from 🇳🇬
Here’s a set of standout Nigeria U-20 player profiles from the third-place match at the 2025 U-20 Africa Cup of Nations:
🇳🇬Nigeria U-20 Player Profiles – AFCON 2025 Bronze Medalists
🧤 Chijioke Aniagboso – Goalkeeper Age: 19 | Club: Enyimba FC 📌 Profile: Calm, commanding, and clutch. Aniagboso was the penalty shootout hero, saving two Egyptian spot-kicks with ice in his veins. His shot-stopping reflexes and leadership from the back were pivotal throughout the tournament. ⭐ Match Impact: 2 penalty saves in the shootout 🧱 Nickname: “The Wall of Aba”
🛡️ Solomon Agbalaka – Left Back / Captain Age: 20 | Club: Sochi FC (Russia) 📌 Profile: A rock at the back and a leader by example. Agbalaka’s intelligent positioning and overlapping runs provided width and stability. He converted the decisive penalty to secure Nigeria’s win. ⭐ Match Impact: Final penalty taker & defensive anchor 🧭 Nickname: “The General”
⚙️ Daniel Daga – Central Midfielder Age: 18 | Club: Watford FC (England) 📌 Profile: A box-to-box dynamo. Scored the equalizer with a towering header and calmly converted Nigeria’s first penalty. Daga’s energy, interceptions, and quick distribution made him a midfield engine. ⭐ Match Impact: 1 goal, 1 penalty scored 🔥 Rising Star Watch
🎯 Tochukwu Nnadi – Playmaker / Midfielder Age: 19 | Club: Botev Plovdiv (Bulgaria) 📌 Profile: Silky, smart, and decisive. Nnadi controlled Nigeria’s tempo and linked defense to attack. Showed poise under pressure in the shootout, dispatching his penalty with class. ⭐ Match Impact: 1 penalty scored, 92% pass accuracy 🎩 Nickname: “The Metronome”
⚡ Musa Ibrahim – Forward Age: 18 | Club: Nasarawa United 📌 Profile: Lively and direct, Musa offered threat with his pace and flair. He didn’t score from open play, but delivered a composed penalty in the shootout. His movement kept Egypt’s backline on alert. ⭐ Match Impact: 1 penalty scored, created 2 chances 💨 Nickname: “Jetstream”
🧠 Coach Mention: 👔 Ladan Bosso – Head Coach Age: 56 📌 Profile: Veteran tactician who has now delivered back-to-back top-four finishes for Nigeria at youth level. Managed emotions after semi-final heartbreak and rallied his side to end on a high. 🎙️ Quote: “This is more than bronze. It’s belief restored.”
It is with profound sorrow that we confirm the passing of Ghanaian highlife legend, Dada Kwaku Duah, popularly known as Dada K.D.He died on Friday, May 16, 2025, at the age of 56, after a sudden illness.
The Story And Biography of Dada K.D.
Born on February 14, 1969, in Kwadaso, Kumasi, Ghana, Dada K.D.’s passion for music ignited at the tender age of seven.By 15, he was already playing instruments in his local church, showcasing a natural affinity for melody and rhythm.His early musical endeavors included visiting homes during Christmas with friends, playing instruments, and singing, which laid the foundation for his future career.
Despite facing initial setbacks in joining professional bands due to his age, Dada K.D.’s determination never waned.His breakthrough came when he met Michael Osei Agyemang, who assisted him in recording his debut album, “Honey Love,” at GEE MAN’s studio.This was followed by successful albums like “Adi Nye Wop” and “Eden na megyee.”In 1998, seeking broader horizons, he relocated abroad, eventually settling in Germany, where he continued to produce music and perform.
Dada K.D.’s discography boasts nine albums, including notable works such as “Somgye,” “Ebeboawo,” “Obiara Se Eye,” and “Mewura / Odom u anigyebi.”His music, deeply rooted in highlife traditions, is influenced by artists like Nana Adumako Nyamekye and Michael Bolton.Throughout his career, he has collaborated with bands like Relatives in Germany, Kojo Antwi’s Band, Tropical Vibes, and Amakye Dede’s Band.His contributions to music were recognized in 2004 when he was adjudged Best Male Vocal Artist at the Ghana Music Awards in Britain.
Beyond his musical achievements, Dada K.D. was known for his candidness about the challenges faced by musicians, particularly in Ghana.He spoke openly about issues like inadequate support for artists, the impact of poverty on creatives, and the need for better structures to support musicians’ welfare.
In his personal life, Dada K.D. expressed unconventional views on marriage, stating that he did not see it as part of his life plan.He had three children in Germany but remained unmarried, choosing to focus on his music and personal principles.
🌟 A Legacy of Love and Resilience
Dada K.D.’s journey through the highs and lows of the music industry exemplifies resilience and passion.His soulful love songs have touched many, and his advocacy for artists’ welfare continues to inspire.His sudden departure has left a void in the hearts of many, but his music and legacy will continue to resonate.
Afua Asantewaa didn’t just sing for Sing-A-Thon records—she sang for recognition, resilience, and roots. But after being accused by TikToker Priscy of using her sing-a-thon for business and fraud, her silence broke in a bold, passionate message.
As the dust settles, gospel minister QueenLet emerges as a poised contender for her own record-breaking feat. This is the sound of three women defining 2024’s cultural narrative.
In a moment that has sent waves across social media, Ghanaian media personality, Afua Asantewaa has addressed harsh and personal attacks from a TikToker, setting the record straight in a passionate yet powerful monologue.
Her words, though emotionally charged, are more than a clapback—they are a testimony of strength, vision, and the journey of a woman determined to rise above the noise.
Afua Asantewaa, who captured national attention with her Guinness World Record sing-a-thon attempt, has been the subject of unfair criticism and unfounded accusations, including being labeled a fraud alongside her husband. For a woman who poured her heart and soul into her musical marathon, this kind of online dragging not only crosses boundaries but underscores a disturbing trend—women tearing down fellow women for clout.
In her address, Afua did not mention the TikToker by name, perhaps to deny her the very spotlight she desperately craves. “Women are supposed to support women,” Afua stated, “not drag each other down.” Her call is clear: in an era where digital platforms can amplify voices, we must choose to amplify the right ones—those rooted in truth, integrity, and empowerment.
This moment also casts a powerful spotlight on another Ghanaian woman of vision and voice—QueenLet, the spirit-filled gospel artist preparing for her own Guinness World Record sing-a-thon submission. Unlike Afua, whose attempt was ultimately not certified, QueenLet’s journey has just begun. But the foundation is different: one laid not in noise, but in preparation, strategy, and a prayerful commitment to excellence.
Two Women. One Purpose. Different Journeys.
What unites Afua Asantewaa and QueenLet is more profound than their Guinness aspirations—it’s their courage. To dream out loud. To sing until their voices give out. To represent Ghana on a global stage where women’s efforts are often scrutinized more than celebrated.
Afua’s raw words, though born from frustration, carry a deeper message. “They wish they had what I have,” she said. That “what” isn’t just fame—it’s vision. It’s impact. It’s legacy. QueenLet too, stands in that lineage. As she prepares to submit her own record-breaking gospel marathon, let it be known: this is not a competition between women, but a continuum of greatness.
Both women are examples of what it means to break barriers in the face of ridicule. Afua Asantewaa’s experience is not a failure—it’s a chapter. And QueenLet’s forthcoming sing-a-thon is not just a record attempt—it’s a message. A message to young African women that their voice matters. That endurance is power. And that no TikTok critique can silence a song born of purpose.
In the end, Afua said it best: “We are thinking. We are visionaries.” Indeed. And visionary women don’t compete—they complete a legacy.
Below is the full text of Afua Asantewaa’s Video:
“Sometimes I chant on videos, discussing me, and all that like this, I don’t want to use the word stupid, because I’m a lady. Sometimes I want to respond to some of these comments, and that’s why I don’t want to mention her name here, because I feel like I’m going to give her the platform that she’s hungrily seeking. You get it? And for such a lady who is busy looking for a career on TikTok, to call my husband and I fraudsters. A girl like that, me obaa, I don’t usually do this. I mean, women are supposed to support women. Women don’t drag women down.
Sometimes when I want to go hard on some of these people, of course I have mature, sensible people around me who go like, if you’re getting yourself into this, that’s what you’re looking for. They wish they have, yeah, that’s it. But sometimes it gets here, and I’m like, but you know what? It’s okay. She’s hungry. She’s looking for a career on TikTok. So I’m going to make, not just her, I mean, there are a couple of people whose current life achievements, if we are to draw a bar chart, cannot be created to my achievements.
If… in front of a camera, and if I see this girl, she has nothing to her name. You’re a woman, you support women and all that. That’s what people say. But while she’s dragging my husband, they will not go there and tell her that she’s fooling. Enough of this shit. I’m dying. She wakes up in the morning and be shouting on TikTok.
Why can’t she chase clouds with her own life story? All those people who have been talking ill about people, put their story-line on there. Let’s compare both. Stupid girl.
A woman hating on another woman. Calling me a fucker. If you want to come at me, come at me. Leave my husband out of the picture. Because I don’t think you’ve been able to keep a relationship. You don’t even know how it feels like to be married. And let me tell you today that you will never find the happiness that I have ever had in my marriage till now.
I’ll be nine years in marriage come July. You can’t even keep a relationship with your big mouth and your big nose. I’ve not done this before, but I’m going to do this today. Don’t ask for it. I’m giving you the last chance. If you want to use your life savings to be battling for your life in court, don’t ever mention my name and that of my husband in your career-chasing life on TikTok.
I am not that witch. If you want to be a clout-chasing channel, be that. If you want to talk about me, talk about facts. If you think whatever I am doing is true, with your low-level intelligence, think it’s a fraudulent act. Try it, let’s see. Be the woman that I am and try it, let’s see. Grow up, girl. It’s a new generation. We are thinking, we are visionaries. We are not clout-chasing.”
Afua Asantewaa Profile: The Voice That Dared to Break Records
Afua Asantewaa Aduonum, a Ghanaian media personality, journalist, entrepreneur, and vocalist, etched her name into the hearts of many when she undertook the Guinness World Record attempt for the longest singing marathon in December 2023. Though her attempt was not ultimately certified by Guinness, her resilience, national pride, and musical endurance transformed her into a symbol of Ghanaian determination and unity.
With a career built around advocacy, entertainment, and cultural preservation, Afua was never just singing—she was telling the story of Ghana, one melody at a time. But fame, especially for women, comes with scrutiny. And Afua’s star soon attracted shadows. TikTok personality Priscy accused her of using the sing-a-thon as a business ploy, branding her and her husband as fraudsters.
Afua’s recent response—deeply emotional and unapologetically raw—highlighted the emotional toll of public life, especially when personal relationships are dragged into viral narratives. “Women are supposed to support women,” she stated, “not drag each other down.” Her words resonated not just as a defense, but as a manifesto for every woman navigating the knife-edge of visibility and vulnerability.
QueenLet Profile: Gospel’s Silent Storm and Record-Breaking Visionary
While the dust of controversy circles Afua’s attempt, another Ghanaian woman is quietly tuning her voice for history. QueenLet, born Leticia Kyerewaa, is a prophetic gospel minister, entrepreneur, and award-winning vocalist whose spiritual and sonic influence continues to grow.
Recently crowned Sing-A-Thon Artist of the Year 2024 at the Ghana General Awards – GH AWARDS.
QueenLet is poised to submit her own Guinness World Record sing-a-thon for consideration. Her performances blend worship with a genre she pioneered—“soakat,” a fusion of soaking worship and prophetic ministration. Her upcoming record attempt is rooted not in competition, but in calling. QueenLet is a multilingual.
What sets QueenLet apart is her intentional silence amid the noise. She does not sing to trend—she sings to transform. As Afua’s public battles unfold, QueenLet’s preparation is a reminder that purpose, when aligned with patience and prayer, creates a platform that needs no defense.
Priscy Profile: TikTok’s New Breed of Critic or Clout-Chaser?
Priscy, a Ghanaian TikTok content creator, has become infamous in recent weeks for her scathing commentary about Afua Asantewaa’s sing-a-thon. Labeling the effort as a fraud, she accused Afua of leveraging the event for personal business gains. Her words didn’t just stir the pot—they boiled it.
But who is Priscy? With no significant public accolades to her name yet, she represents a growing group of online creators who leverage controversy as content. Her criticisms, though presented as opinion, have sparked debates about the ethics of online commentary, especially when it crosses into defamation.
While criticism is a cornerstone of democratic dialogue, the tone and intent matter. Priscy’s approach—attacking Afua’s integrity and dragging her husband into the mix—exposes a darker side of social media where chasing clout often trumps constructive critique. Afua’s refusal to dignify the accusations with full naming may have been a power move in itself: don’t feed the algorithm with someone else’s hunger.
A Larger Conversation: Women, Legacy, and Digital Culture
What Afua Asantewaa and QueenLet represent is bigger than music—it’s a legacy of Ghanaian women who are using their voices to chart history. Whether through secular or spiritual songs, they echo a continent’s heartbeat. But their journeys also reflect the challenges that women face when they rise: instant scrutiny, baseless accusations, and the weaponization of social media.
Priscy’s voice, though amplified by algorithms, reminds us of a responsibility that comes with platforms: to critique with care, to question with facts, and above all, to uplift, not tear down.
A Stage for All, But Not All Performances Are Equal
Afua Asantewaa’s response, QueenLet’s poised rise, and Priscy’s sharp words form a modern Ghanaian parable. A tale of voice, vision, and validation. As QueenLet prepares for her global submission and Afua continues to evolve beyond the shadows of controversy, one truth remains:
Greatness is not built on going viral. It’s built on values.
And in that regard, the world will remember the songs of Afua and QueenLet far longer than it will the noise of TikTok.
Manasseh Azure Awuni, President John Dramani Mahama
Investigative journalist, Manasseh Azure Awuni, has formally petitioned President John Dramani Mahama to terminate the long-standing contract between the Youth Employment Agency (YEA) and waste management company, Zoomlion Ghana Limited.
In a statement issued on Friday, May 2, Mr Awuni called for an end to what he describes as a 19-year-old arrangement fraught with inefficiencies, poor accountability, and exploitation of sweepers.
Mr Awuni stated that under the most recent contract, which expired in September 2024, an amount of GH₵850 was allocated per sweeper.
However, he said Zoomlion retained GH₵600 of that sum, leaving the sweepers with just GH₵250 monthly.
According to the journalist, the contract also allowed Zoomlion to charge interest on delayed payments from the YEA, resulting in a reported GHS90 million interest claim in 2024 alone.
He noted that Zoomlion has since submitted a new proposal, currently under review at the YEA, seeking an increase in the allocation per sweeper to GHS1,308, saying that if approved, the company would keep GHS888 and pay sweepers GHS420 per month.
Manasseh questioned the lack of transparency surrounding the number of sweepers Zoomlion presents for payment.
“The YEA has no data to verify the 45,000 sweepers Zoomlion presents for payment every month, even after raising an alarm in 2018. The YEA said its headcount showed that 38,884 sweepers were on the ground, contrary to Zoomlion’s claim of 45,000. The YEA CEO, Justin Kodua Frimpong (the current NPP General Secretary), said Zoomlion failed to submit its payroll for verification when the YEA requested.
“In 2022, the YEA could not provide any data when the Accra Metropolitan Assembly complained in a letter that most sweepers had stopped working. Meanwhile, Zoomlion continued to bill the state for 45,000 people every month,” he said.
He also referenced the position of the immediate past YEA CEO, Kofi Baah Agyepong, who told the agency’s board that the contract should be scrapped, stating that the YEA could independently manage the sweeping module just as it does other employment schemes.
This, Mr Awuni stated, that in all the modules, YEA pays all its beneficiaries more than the sweepers, whose payment is routed through Zoomlion.
“I have proposed to the President that the contract be discontinued so that the assemblies and the YEA can supervise the sweepers. In this way, the assemblies can have direct control of the sweepers, who are paid with the assemblies’ share of the District Assemblies Common Fund (DACF),” Mr Awuni said.
“If Zoomlion is eliminated as the middleman, the sweepers will enjoy better wages and be motivated to show up and work to keep the nation clean.”
While calling for the termination of the sweeping module contract, Manasseh acknowledged the importance of maintaining Zoomlion’s separate Sanitation Improvement Package (SIP), which involves refuse transportation.
He noted that ending the SIP abruptly could result in sanitation problems, as some assemblies lack the waste trucks necessary for waste disposal due to large deductions from their budgets to fund the Zoomlion contracts.
Mr Awuni also reminded the President of the decisive steps he took in 2013 following investigations into the Ghana Youth Employment and Entrepreneurial Development Agency (GYEEDA), which led to the cancellation of contracts, prosecutions, and passage of the YEA Act.
“With the documentary evidence I submitted with the petition, I am confident that the President will terminate the Zoomlion contract,” he said, noting it was the only GYEEDA-era agreement left untouched despite adverse findings in a report commissioned by the President himself.
The Ghana School Feeding Programme (GSFP) is an initiative of the comprehensive Africa Agricultural Development Programme (CAADP) Pillar 3 which seeks to enhance food security and reduce hunger in line with the United Nations (UN) Sustainable Development Goals (MDGs) on hunger, poverty and malnutrition.
The Ghana School Feeding Programme (GSFP) has announced the immediate termination of contracts for all caterers under the programme across the country.
In an official notice dated 2nd May 2025, the GSFP instructed that no current caterer should provide meals for the third term of the 2024/2025 academic year.
“Please be informed that contracts of all caterers of the Ghana School Feeding Programme (GSFP) nationwide have been terminated with immediate effect.
Accordingly, no existing caterer on the programme should cook for the third term of the 2024/2025 academic year,” the statement read.
The Secretariat assured affected caterers that payments for the second term will be made. “All outstanding arrears for the second term of the 2024/2025 academic year will be paid in due course,” it said.
The GSFP also announced that this decision is part of a wider restructuring exercise and that new recruitment guidelines will be shared soon.
“The GSFP Secretariat, as part of its ongoing restructuring exercise, will soon announce the modalities for the recruitment of new caterers for the programme,” the notice stated.
DISCLAIMER: The Views, Comments, Opinions, Contributions and Statements made by Readers and Contributors on this platform do not necessarily represent the views or policy of Multi Debrich Group Ltd.
Evelyn Hart, Nana Ama Royal, Rev Kingsley Amin, HRH Minister Anita Antwi, Rev Michael Nana
Are you ready for an unforgettable evening of gospel music and celebration? Mark your calendars for Easter Saturday, April 19th, 2025, as the CTKDP Buildings in Tottenham hosts one of the most anticipated gospel events of the year!.
Event Highlights
The Free Easter Gospel Explosion Jam promises to be a spiritual and musical feast featuring exceptional gospel artists and the much-awaited album launch of the year.
This five-hour celebration will uplift your spirits and fill you with Easter joy.
Featured Artists
The event brings together an impressive lineup of gospel talents including:
Rev. Michael Nana
Yaw Achaw
Nana Ama Royal
Rev. Kingsley Amin
HRH Minister Anita Antwi
Evelyn Hart
Event Details
Date: Easter Saturday, April 19th, 2025
Time: 5:00 PM – 10:00 PM
Venue: The CTKDP Buildings, Forster Road, Tottenham, London N17 6QD
(Located off the Tottenham High Road, opposite the Police Station)
Entry: FREE
Media Coverage
The event will be covered by:
AB! Radio
Telenhion Radio
TV Television
Getting There
By Bus:
Multiple bus routes serve the area: 149, 349, 279, 259, 341, 476, 243, 123, 318, and W4.
By Train/Underground:
Nearby stations include Bruce Grove, Seven Sisters, and Tottenham Hale.
Contact Information
For more information about this exciting gospel event, please contact:
07572 132 943
07958 532 009
Don’t miss this opportunity to experience an evening of spiritual rejuvenation through powerful gospel music.
The Free Easter Gospel Explosion Jam is the perfect way to celebrate the Easter season with family and friends!
Spread the word and bring along your loved ones for an evening of praise, worship, and musical excellence.
Evelyn Hart, Nana Ama Royal, Rev Kingsley Amin, HRH Minister Anita Antwi, Rev Michael Nana
Acclaimed Ghanaian multilingual gospel singer and recipient of the GH Awards’ Sing-a-thon Artist of the Year, QueenLet, has captivated the public once again with a powerful and unexpected revelation involving Nigerian entrepreneur and artist Peller, and Ghana’s iconic dancehall king, Shatta Wale.
In a recent video statement according to DebrichGroup.com, QueenLet shared stunning insights into Peller’s recent visit to Ghana, where he connected with Shatta Wale. According to QueenLet, this meeting was not merely social—it was spiritually symbolic. She revealed that Peller’s decision to create a dance challenge video using Shatta Wale’s hit track “Taking Over” was divinely inspired.
Since the release of the video, social media has exploded with excitement. Influencers and fans across platforms are mimicking the dance, propelling it into a global trend. But QueenLet believes this challenge is unlike anything the world has seen before.
“This is not just another viral trend,” QueenLet emphasized. “No influencer-led music challenge in recent memory has sparked such global engagement and organic traction. This is a symbol—Shatta Wale has a calling, and I strongly believe he will become a minister of God.”
QueenLet, also known for pioneering the Soakat genre—a fusion of soaking worship and prophetic rhythm—added that Shatta Wale carries a unique and divine grace. “This is the most impactful challenge video in the history of global music trends—not just in views or reach, but in spiritual significance,” she stated passionately.
The revelation video has sparked massive reactions online, igniting discussions, debates, and endorsements from fans and artists alike. Notably, Shatta Wale himself acknowledged QueenLet’s message by commenting:
“THANK YOU OSOFO MAAME”
This respectful salute (“Osofo Maame” meaning “Pastor’s wife” or a spiritually anointed woman in Akan) further highlights the weight of QueenLet’s prophetic declaration.
Watch Full Video Below With Shatta Wale’s Comment:
An award-winning gospel musician and trailblazer of the Soakat genre, QueenLet is widely recognized for her unique blend of spiritual depth and musical creativity. With her anointed voice and prophetic messages, she has become a beacon of inspiration across Africa and beyond. Her songs are not only musical experiences but spiritual encounters.
QueenLet is currently tag as the mother of Soaking & Atmospheric [SOAKAT] genre in Gospel music by many countries, Never in the history of Gospel music industry.
SOAKAT is a style or category of art, music, or literature which enforces “Soaking & Atmospheric” surroundings of the HOLY SPIRIT in which a person must be soaked in the Holy Spirit within a given Atmosphere.
Shatta Wale
Charles Nii Armah Mensah Jr., popularly known as Shatta Wale, is a multi-award-winning Ghanaian dancehall artist. Renowned for hits like “My Level,” “On God,” and “Taking Over” Shatta Wale’s influence stretches far beyond music. His dynamic personality, coupled with a passionate fanbase, has made him a cultural icon. Now, with QueenLet’s prophetic endorsement, a new chapter may be unfolding for him.
Peller
A multifaceted Nigerian Habeeb Hamzat, popularly known as Peller, was born on 10th May 2005. Peller is a Nigerian online streamer and content creator. He is known for his sarcastic manner and reluctance while streaming.
Peller currently holds the highest-viewed live stream in Africa with 76k views, surpassing his previous record of 60k views, which featured popular Nigerian artist Olamide. He won the “Best Content Creator” at the Trace Awards & Festival in 2024.
His recent visit to Ghana and participation in the “Taking Over” challenge is now seen as a pivotal move—one that may have unknowingly served as a spiritual spark for something far greater.
How to clear all comments from a WordPress database & Deactivate WordPress comments
To clear all comments from a WordPress database, you can run the following SQL command:
DELETE FROM wp_comments;DELETE FROM wp_commentmeta;
Explanation:
wp_comments: Deletes all comments.wp_commentmeta: Deletes all metadata associated with the comments.Important Notes:
Would you like help running this via WP-CLI instead?
All comments on a WordPress website are displayed on the Comments dashboard in your WordPress admin area. It displays all comments by default.
To deactivate WordPress comments, go to Settings > Discussion in your dashboard and uncheck “Allow people to submit comments on new posts.”